Darwin Drag

The campaign by left-wing artists to impose LGBTism on the animal kingdom extends beyond glorifying hyenas to an attack on Charles Darwin:

Darwin sighs. “I kept a secret about the queer animal queendom,” he confesses. He looks a little off: his face is doughy and pallid; he seems forlorn as he rocks back and forth in an armchair. “Because I was afraid of being cancelled by the Victorian establishment.” Moments later, he is instantly transported from his chair and what appears to be a private members’ club, to a brightly coloured coral reef. And outfitted in a glorious clownfish-inspired gown.

A moonbat might describe the outfit as fabulous.

This is the beginning of Japanese-Sāmoan artist Yuki Kihara’s most recent video, Darwin Drag (2025). For more than two decades, her multidisciplinary output of photography, performance, moving image, sculpture and archival research has sought to interrogate colonial visual-culture and dismantle the historical Western gaze cast on the bodies and sexuality of Indigenous peoples in the South Pacific. Recently, she has also looked to the intersection of gender-based and racial prejudices, resource extraction and the human impact on the environment around the South Seas and, more broadly, the Pacific Ocean.

Kihara diagnoses normality as a disease and places it within the context of intersectional moonbattery:

“Cisgender and straight people also suffer from heteronormativity, and these gender norms were secured by colonialism, imperialism, religion and the patriarchy.”

Moonbats inflict LGBTism on children. Why not on fish?

In Darwin Drag, the eponymous British biologist (played by Kihara, who wears extensive prosthetics for the role) is given the opportunity to reflect on omissions regarding the variety of sex traits catalogued in On the Origin of Species… In the video, drag queen-cum-fairy fishmother BUCKWHEAT (aka Lealailepule Edward Cowley, a collaborator and professional drag queen working in Aotearoa New Zealand) takes Darwin under her fin, and together they travel a coral reef, exploring several fish species that exhibit sequential hermaphroditism (ie they can change sex).

If fish can be said to exhibit hermaphroditism, lefties have evidence at last that men can be women and that sexual perversion is natural.

There’s a good dose of cheeky subversiveness in Darwin Drag, which upends the conventionally serious, observational approach of the television nature-documentaries that we are accustomed to with a disco-soundtracked drag aesthetic.

Again we see that anything subverted by moonbattery first becomes farcical before it is destroyed.

Kihara’s ethos is to “look at the natural environment from an Indigenous queer perspective.” That’s why the liberal establishment promotes her with laudatory feature articles.

On a tip from Mike B.

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